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Bring It On
THE NEW NORMAL — Elena’s (Nina Dobrev) new outlook has everyone concerned, leading Stefan (Paul Wesley) and Damon (Ian Somerhalder) to agree that going back to the normal routine of high school would be the best thing for her. Caroline (Candice Accola) is pleasantly surprised when Elena decides to rejoin the cheerleading squad, but her pleasure turns to shock when Elena’s behavior proves dangerous. Not giving up on their search for the cure, Damon and Rebekah (Claire Holt) work together until his unwanted advice catches her off-guard. Klaus (Joseph Morgan) tries to use Hayley (guest star Phoebe Tonkin) to get the information he’s after and makes an intriguing discovery in the process. Meanwhile, a bored Elena throws a wild party and gets into an ugly fight.
Killing off one of your central characters, and one who’s been around since the first episode no less, is not something many television shows get away with lightly. The Vampire Diaries, on the other hand, used to do things like that all of the time, but seemed to lose their nerve somewhere around the middle of their third season. Now we’re half-way through season four, and the show has pulled their trump card out at a pivotal moment.
Just when we were settling into the idea that none of the central characters were in real danger (given their respective supernatural powers, resurrection rings, or casting on the upcoming spin-off), little bro Jeremy has been killed off. Last week I was unsure whether this death would end up sticking so, imagine my surprise when we not only hear about his decomposing body, but we also see him burn along with the Gilbert house. After so long in hiding, it’s brilliant to see The Vampire Diaries regain its bravery and gumption.
It’s not an overstatement to say that this event will change absolutely everything. Elena effectively died in last season’s finale, sure, but what did it really change? She was still the same whiny, over-emotional girl who couldn’t choose between the Salvatore brothers and wanted nothing more than to see her friends and family happy and safe. Jenna’s death seemed like an inevitability when it finally went down, and Alaric’s was overshadowed by our heroine being plunged off a bridge. This death is monumental, and there’s a satisfying feeling that the writers and producers know exactly where they’re going with it.